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Jharkhand Eligibility Test (JET) Performing Art Syllabus 2026, Exam Pattern
Jharkhand Eligibility Test (JET) Performing Art Syllabus 2026, Exam Pattern, Exam Date 2026
Detail Information about Jharkhand Public Service Commission (JPSC) has published notification 2026 for the notification of Jharkhand Eligibility Test (JET) Performing Art-Dance/Drama/Theatre. Those Candidates who are Interested to the following vacancy and completed all Eligibility Criteria can read the Notification & Apply Online. In this page we provide the Complete Syllabus of this Entrance with Latest Update Exam Pattern and the Exam Date also.
Jharkhand Eligibility Test (JET) Syllabus 2026 - Overview
| Name of the Exam | Jharkhand Eligibility Test (JET) |
| Exam Conducting Body | Jharkhand Public Service Commission (JPSC), Ranchi |
| Purpose | Eligibility for Assistant Professor |
| Mode of Application | Online |
| Exam Level | State Level |
| Official Website | www.jpsc.gov.in |
Jharkhand Eligibility Test Performing Art Syllabus 2026
Paper 1 Syllabus
1. Teaching Aptitude
Teaching concepts, learner characteristics, teaching aids, methods of teaching
2. Research Aptitude
Research types, steps, methods, ethics, thesis writing
3. Comprehension
Reading passage followed by questions
4. Communication
Types, barriers, effective communication in classroom and research
5. Mathematical Reasoning and Aptitude
Number series, letter series, codes, arithmetic reasoning
6. Logical Reasoning
Analogies, syllogisms, logical diagrams, deductive reasoning
7. Data Interpretation
Data tables, graphs, charts, and basic analysis
8. ICT (Information & Communication Technology)
Basics of computers, internet, e-governance, digital initiatives
9. People, Development & Environment
Human and sustainable development, pollution, natural resources
10. Higher Education System
Structure, governance, value education, policies and administration
Paper 2 :
Domain knowledge (Performing Art-Dance/Drama/Theatre)
2. Ancient Texts: Study of key texts like Bharata's Natyashastra, Nandikesvara's Abhinaya Darpana, and Sharangadeva's Sangeet Ratnakara.
3. Aesthetics: Core concepts like Rasa, Bhava, Dhvani, and Auchitya. Understanding the theories of aestheticians like Bharata, Abhinavagupta, and Anandavardhana.
4. Interdisciplinary Approach: The relationship between performing arts (dance, music, drama) and visual arts (sculpture, painting, architecture).
2. Abhinaya: Detailed study of the four types of Abhinaya:
4. Nayaka-Nayika Bheda: Classification of heroes and heroines as described in ancient texts.
2. Laya & Jati: Concepts of tempo (Vilambit, Madhya, Drut) and rhythmic patterns.
3. Musical Instruments: Familiarity with the instruments used in different classical dance forms (e.g., Mridangam, Tabla, Sitar, Flute, Veena).
2. Folk & Traditional Theatre: Knowledge of forms like Jatra, Nautanki, Tamasha, Bhavai, Yakshagana, Koodiyattam, and Therukoothu.
3. Modern Indian Theatre: Post-independence theatre movements, role of institutions like Sangeet Natak Akademi and National School of Drama. Contributions of directors and playwrights like Ebrahim Alkazi, Habib Tanvir, Girish Karnad, Vijay Tendulkar, and Badal Sircar.
2. Elizabethan Theatre: William Shakespeare and his contemporaries.
3. Modern Western Theatre: Movements like Realism, Naturalism, Symbolism, and Absurdism. Study of playwrights like Ibsen, Chekhov, Strindberg, Brecht, and Beckett.
2. Western Theory: Aristotle's Poetics (concepts of tragedy, catharsis, hamartia). Theories of acting and direction by Konstantin Stanislavski (The 'System'), Bertolt Brecht (Alienation Effect), Jerzy Grotowski (Poor Theatre), and Antonin Artaud (Theatre of Cruelty).
2. Direction: The role of a director, principles of stage composition, blocking, scenography, and interpreting a script.
2. Lighting Design: Functions of light on stage, types of lights.
3. Costume & Make-up: Role in characterization and storytelling.
4. Sound Design: Use of music and sound effects.
2. Drama Therapy: The therapeutic applications of drama and theatre.
3. Research Methodology: Approaches to research in performing arts, documentation, and criticism.
Paper 2 :
Domain knowledge (Performing Art-Dance/Drama/Theatre)
Unit 1: Cultural History of India & Aesthetics
1. Indian Culture: General knowledge of Indian culture, traditions, mythology, and epics (Ramayana, Mahabharata).
2. Ancient Texts: Study of key texts like Bharata's Natyashastra, Nandikesvara's Abhinaya Darpana, and Sharangadeva's Sangeet Ratnakara.
3. Aesthetics: Core concepts like Rasa, Bhava, Dhvani, and Auchitya. Understanding the theories of aestheticians like Bharata, Abhinavagupta, and Anandavardhana.
4. Interdisciplinary Approach: The relationship between performing arts (dance, music, drama) and visual arts (sculpture, painting, architecture).
Unit 2: History & Forms of Indian Dance
1. Origin & Development: Theories on the origin and evolution of dance in India.
2. Classical Dance Forms: In-depth study of the eight recognized classical dance forms:
i. Bharatanatyam (Tamil Nadu)
ii. Kathak (North India)
iii. Kathakali (Kerala)
iv. Kuchipudi (Andhra Pradesh)
v. Odissi (Odisha)
vi. Manipuri (Manipur)
vii. Mohiniyattam (Kerala)
viii. Sattriya (Assam)
3. This includes their history, technique (Nritta, Nritya, Natya), costume, music, and prominent exponents.
4. Chhau Dance: Study of the three forms of Chhau (Purulia, Seraikella, and Mayurbhanj).
Unit 3: Folk, Tribal, and Contemporary Dance
1. Folk & Tribal Dances: Knowledge of major folk and tribal dances from different states of India, including Jharkhand (e.g., Paika, Jhumar, Santhal).
2. Contemporary Dance: The evolution of modern and contemporary dance in India, contributions of pioneers like Uday Shankar and Rukmini Devi Arundale.
3. Choreography: Principles of dance composition, improvisation, and choreography.
Unit 4: Theory of Dance & Abhinaya
1. Technical Terminology: Understanding of terms like Anga, Upanga, Pratyanga, Cari, Mandala, Bhramari, and Karanas.
2. Abhinaya: Detailed study of the four types of Abhinaya:
i. Angika (physical expression)
ii. Vachika (verbal expression)
iii. Aharya (costume and make-up)
iv. Sattvika (emotional expression)
3. Hasta Mudras: Knowledge of Asamyukta (single hand) and Samyukta (joint hand) gestures.
4. Nayaka-Nayika Bheda: Classification of heroes and heroines as described in ancient texts.
Unit 5: Music for Dance & Tala
1. Raga & Tala: Basic knowledge of the Raga and Tala systems in both Hindustani and Carnatic music.
2. Laya & Jati: Concepts of tempo (Vilambit, Madhya, Drut) and rhythmic patterns.
3. Musical Instruments: Familiarity with the instruments used in different classical dance forms (e.g., Mridangam, Tabla, Sitar, Flute, Veena).
Unit 6: History of Theatre (Indian & Western)
Indian Theatre:
1. Sanskrit Theatre: Origin, theory, and practice. Study of playwrights like Bhasa, Kalidasa, Shudraka, and Bhavabhuti.
2. Folk & Traditional Theatre: Knowledge of forms like Jatra, Nautanki, Tamasha, Bhavai, Yakshagana, Koodiyattam, and Therukoothu.
3. Modern Indian Theatre: Post-independence theatre movements, role of institutions like Sangeet Natak Akademi and National School of Drama. Contributions of directors and playwrights like Ebrahim Alkazi, Habib Tanvir, Girish Karnad, Vijay Tendulkar, and Badal Sircar.
Western Theatre:
1. Greek & Roman Theatre: Contributions of Aristotle, Sophocles, Aeschylus, and Seneca.
2. Elizabethan Theatre: William Shakespeare and his contemporaries.
3. Modern Western Theatre: Movements like Realism, Naturalism, Symbolism, and Absurdism. Study of playwrights like Ibsen, Chekhov, Strindberg, Brecht, and Beckett.
Unit 7: Dramatic Theory & Criticism
1. Indian Theory: Detailed study of Natyashastra, focusing on Rasa theory, play construction (Itivritta), and types of plays (Dasarupakas).
2. Western Theory: Aristotle's Poetics (concepts of tragedy, catharsis, hamartia). Theories of acting and direction by Konstantin Stanislavski (The 'System'), Bertolt Brecht (Alienation Effect), Jerzy Grotowski (Poor Theatre), and Antonin Artaud (Theatre of Cruelty).
Unit 8: Acting & Direction
1. Acting: Theories and techniques of acting, voice modulation, body language, and characterization.
2. Direction: The role of a director, principles of stage composition, blocking, scenography, and interpreting a script.
Unit 9: Stagecraft & Technology
Theatre Architecture: Evolution of stage and auditorium design (Greek, Roman, Proscenium, Thrust, Arena).
Technical Aspects:
1. Set Design: Principles of scenic design.
2. Lighting Design: Functions of light on stage, types of lights.
3. Costume & Make-up: Role in characterization and storytelling.
4. Sound Design: Use of music and sound effects.
Unit 10: Theatre Pedagogy & Research
1. Theatre in Education: Using theatre as a pedagogical tool.
2. Drama Therapy: The therapeutic applications of drama and theatre.
3. Research Methodology: Approaches to research in performing arts, documentation, and criticism.
Jharkhand Eligibility Test Performing Art (Dance/Drama/Theatre) Exam Pattern 2026
| Paper | Subject | No.of Question | Marks |
| Paper I | Teaching/ research aptitude (Reasoning ability, Reading comprehension, Divergent thinking and General awareness) | 50 | 100 |
| Paper II | Domain knowledge (Performing Art-Dance/Drama/Theatre) | 100 | 200 |
| Total | 150 | 300 |
Exam Date : Notified Soon
Starting Date of Application Form : 16th September 2025
Last Date of Appplication Form : 06th October 2025
FAQs
Jharkhand Eligibility Test (jet) Performing Art 2026 Exam Syllabus Frequently Asked Questions (FAQ's)
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