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MP SET Performing Arts Exam - English

Duration: 120 ยท Questions: 100 ยท Max Marks: 100 ยท Language: 1

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Performing Arts

1
Which is the oldest form of composition of Hindustani vocal music?
  1. A.Khayal
  2. B.Thumri
  3. C.Dhrupad
  4. D.Tappa
2
The terminal part of Dhrupad is known as
  1. A.Sthayi
  2. B.Antara
  3. C.Chaturang
  4. D.Abhog
3
Which are the two kinds of Khayal?
  1. A.Sanchari-Abhog
  2. B.Nibaddha-Annibaddha
  3. C.Nyas-Apnyas
  4. D.Bada and Chota Khayal
4
The term ‘Astang Gayaki’ is connected with-
  1. A.Khayal Gayan
  2. B.Tappa Gayan
  3. C.Gazal Gayan
  4. D.Dhrupad Gayan
5
Tap-Khayal belongs to which class of music?
  1. A.Karnatak music
  2. B.Hindustani vocal music
  3. C.Folk oral music
  4. D.Film music
6
Which one of the following places was famous as a seat of Tappa learning?
  1. A.Agra
  2. B.Lucknow
  3. C.Indore
  4. D.Dhar (M.P.)
7
Who among the following is credited with the invention of ‘Khayal Gayaki’?
  1. A.Shori Miyan
  2. B.Bade Ghulam Ali Khan
  3. C.Nayak Bakshu
  4. D.Amir Khusro
8
Most of the ‘Khayals’ were composed during the period of
  1. A.Raja Mansingh Tomar
  2. B.Mohammad Shah Rangila
  3. C.Maharaja Doulatrao Scindia
  4. D.Badshah Akbar
9
The terms Nom-Tom and Laykari are related to
  1. A.Tappa singing
  2. B.Dhrupad singing
  3. C.Khayal singing
  4. D.Dadra singing
10
Which amongst the following places was famous as a seat of Thumari learning?
  1. A.Kanpur
  2. B.Gwalior
  3. C.Lucknow
  4. D.Agra
11
Name the composition which was derived from Khayal, Tarana, Sargam and Tirwat
  1. A.Kajari
  2. B.Thumri
  3. C.Tap Khayal
  4. D.Chaturang
12
The Dhrupad parampara is associated with:
  1. A.Folk music
  2. B.Karnatak music
  3. C.Light music
  4. D.Hindustani vocal music
13
The ‘Sanchari’ belongs to which part of classical singing form?
  1. A.Khayal
  2. B.Tappa
  3. C.Astapadi
  4. D.Dhrupad
14
Most of the Dhrupads were composed during the reign of
  1. A.Badshah Humayun
  2. B.Raja Mansingh Tomar
  3. C.Basshah jahangir
  4. D.Maharaja Madhavrao Scindia
15
Who is considered the pioneer of the Tappa style of singing?
  1. A.Wazid Ali Shah
  2. B.Bhaiya Ganpatrao
  3. C.Shouri Miyan
  4. D.Amir Khusro
16
Who is considered the originator of Lakshangeet singing?
  1. A.Pt. V.D. Paluskar
  2. B.Pt. V.N. Bhatkhande
  3. C.Pt. Omkar Nath Thakur
  4. D.Pt. Rabindranath Tagore
  5. E.Pt. Rabindranath Tagore
17
Who was the follower of Gobarvani variety of Dhrupad singing?
  1. A.Baiju Bawara
  2. B.Tansen
  3. C.Bakshu
  4. D.Ramdas
18
What do you mean by ‘Khayal’?
  1. A.A special kind of music composition
  2. B.Free style of form of raga music
  3. C.A style of classical singing
  4. D.A form of Hindustani Classical Vocal Music wherein a singer while observing the discipline of a raga, embellishes it with  his creative imagination with Aalap, Taan, Khatka, Murki etc. and present it in Ektala, Teental etc.
19
What is Tappa?
  1. A.A pattern of song associated with Tapkhayal singing
  2. B.A devotional song
  3. C.A light classical music form couched in Punjabi language characterized by jumpy, flashy and quick tonal movements
  4. D.A kind of folk oral music form
20
What is ‘Thumari’?
  1. A.A form of light Classical Vocal Music where love-pranks of Radha-Krishna and various moods associated with the sentiments of love is depicted in a Mellifluous voice by the Singer
  2. B.A devotional song in praise of God
  3. C.A pattern of song which belongs to the category of seasonal music
  4. D.A mixture of Khayal and Dhamar form of singing
21
Prabandha means:
  1. A.A very old form of vocal music in Persian language
  2. B.An ancient form of singing in Sanskrit language
  3. C.A musical composition in Braj Bhasha
  4. D.A light classical music form
22
What is Dhrupad?
  1. A.A very old orthodox style of composition in Hindustani vocal music with emphasis on rhythm and alap preceding the song
  2. B.A type of composition in Sanskrit language
  3. C.Songs which describe the acts of Balkrishna
  4. D.Devotional song in praise of God
23
What do you mean by Bandish?
  1. A.A musical composition
  2. B.A part of Kriti
  3. C.A composition employed by vocalists to launch their musical elaboration
  4. D.An ancient form of singing
24
What is ‘Tarana?
  1. A.A meaningful composition
  2. B.A special type of composition
  3. C.A pattern of vocal music form which mainly relies on meaningless words/sound-syllables
  4. D.Poetic musical composition
25
What is ‘Lakshngeet’?
  1. A.A song depicting characteristics of a particular raga
  2. B.A composition having well designed structure
  3. C.Modulation of raga
  4. D.A pattern of composition associated with light classical music
26
What do you mean by Kajri?
  1. A.A song of Muslim devotional music
  2. B.A folk oral music of Gujarat
  3. C.A song of adoration
  4. D.Pattern of rainy season songs of North India sung in thumri form and associated with the theme of separation with the beloved
27
What is ‘Chaturang’?
  1. A.A composition having four parts
  2. B.A folk oral form of Uttar Pradesh
  3. C.A pattern of vocal music combining features of Khayal and tarana forms
  4. D.A composition where the Geet, Tarana, Sargam and Sound Syllables of Tabla and Pakhawaj are used in four successive parts
28
Who do you mean by ‘Dadra’?
  1. A.A devotional song
  2. B.A form of light classical music set in Dadra Tala
  3. C.A pattern of song with hasya rasa
  4. D.A special pattern of song set in kahrwa tala
29
What is ‘Chaiti'?
  1. A.A folk theatre form of Uttar Pradesh
  2. B.A folk oral singing of Maharashtra
  3. C.A semi- classical vocal form based on folk songs sung in Uttar Pradesh during the month of Chitra
  4. D.A minor musical mode of Rajasthan
30
‘Trivat’ means
  1. A.A rhythmic composition
  2. B.A composition having poetry, Tarana and Sound Syllables of Tabla and Pakhawaj
  3. C.A folk song of Punjab
  4. D.A composition in semi-art music
31
What is ‘Hori’?
  1. A.A poetic composition in praise of Lord Shiva
  2. B.A composition combining features of Dhrupad and khayal songs
  3. C.Musical composition pertaining to Holi festival
  4. D.A form of vocal music based on folk songs
32
What is ‘Gazal’?
  1. A.Pattern of song generally concerning love and adoration composed in Urdu and Persian languages
  2. B.A form of Islamic devotional music
  3. C.A pattern of song with shringar rasa
  4. D.A form in semi-classical vocal music
33
What is Sargam?
  1. A.A composition entirely made up the names of notes used in a particular raga
  2. B.Musical composition pertaining to sa re ga ma notes
  3. C.A vocal form of Karnatak music
  4. D.A special type of composition in art music
34
What do you mean by ‘Bhajan’?
  1. A.An ancient form of singing
  2. B.An devotional song in praise of God
  3. C.The refrain of a song in poetry
  4. D.A simple form of raga music
35
What is Khayalnuma?
  1. A.A composition of Hindustani Vocal Music which combines in it the characteristics of Khyal and Tarana
  2. B.A pattern of light classical music
  3. C.A type of imagination
  4. D.A pattern of closed form of art music
36
Which form of classical music has attracted special attention of Maharashtrian musicians?
  1. A.Dhrupad
  2. B.Dhamar
  3. C.Khayal
  4. D.Tappa
37
Whose Dhrupad style became Noharwani variety of Dhrupad singing?
  1. A.Brij Chand Rajput
  2. B.Shri Chand Rajput
  3. C.Sanmohan Singh
  4. D.Mansingh Tomar
38
What is Dhamar?
  1. A.A style of singing associated with spring festival
  2. B.A type of composition pertaining to Hori set to Dhamar  tala usually sung after Dhrupad
  3. C.A kind of composition set only in the choutal
  4. D.A style of semi-classical music
39
What is Bada or Vilambit Khayal?
  1. A.A kind of khayal singing which is sung in a slow tempo
  2. B.A kind of composition usually larger in length
  3. C.A form of light classical music
  4. D.A kind of folk oral form of Rajasthan
40
What do you mean by Chota Khayal?
  1. A.A kind of composition which is generally short in length
  2. B.A short composition sung in very fast temop
  3. C.A type of khayal which is sung  in medium fast temp with a good elaboration of different pattern of tanas
  4. D.A part of tap khayal style of singing
41
How many varieties (wanis) of Drupad are prevalent in Hindustani music?
  1. A.2
  2. B.6
  3. C.3
  4. D.4
42
Who was the founder fo ancient Gwalior gharana?
  1. A.Ustad Abdul Karim Khan
  2. B.Ustad Natthan Peerbaksha
  3. C.Ustad Allauddin Khan
  4. D.Pt. Vasudeva Bua joshi
43
Who among the following was the grandson of Ustad Natthan Peerbaksha of Gwalior gharana?
  1. A.Ustad Hassu Khan
  2. B.Chote Mohammad Khan
  3. C.Rahmat Khan
  4. D.Manji Khan
44
Zakir Hussain is  regarded one of the brightest stars of the Punjab gharana. Which instrument does he play?
  1. A.Violin
  2. B.Pakhawaj
  3. C.Sarod
  4. D.Tabla
45
Which among the following is not a main characteristic of jaipur gharana?
  1. A.Intricate tana pattern
  2. B.Clear voice production with pure akar
  3. C.Singing of uncommon and mishra ragas
  4. D.Singing of bol tanas but with delicate rhythmic interaction
46
Who amongst the following is renowned in Hindustani classical vocal music?
  1. A.Pt. H.P. Chaurasia
  2. B.Pt. Kishan Mahhraj
  3. C.Pt. V.G. jog
  4. D.Smt. Gangubai Hangal
47
Who was the founder of Punjab gharana of table playing?
  1. A.Ustad Fakir Baksha
  2. B.Ustad Kadir Baksha
  3. C.Ustad Allarakha
  4. D.Ustad Karamat Hussain Khan
48
Pt. Kishan Maharaj was a renowned table artist of
  1. A.Lucknow gharana
  2. B.Banaras gharana
  3. C.Delhi gharana
  4. D.Azrada gharana
49
The origin of Jaipur gharana is associated with one of the following personalities
  1. A.Ustad Natthu Khan
  2. B.Ustad Bhurji Khan
  3. C.Ustad Sharafat Hussain Khan
  4. D.Ustad Alladiya Khan
50
Who was the founder of Banaras gharana of tabla playing?
  1. A.Pt. Baldev Sahai
  2. B.Pt. Durga Sahai
  3. C.Ustad Ahmad Jan Thirukwa
  4. D.Pt. Ram Sahai
51
The main characteristic of Kirana gharana is:
  1. A.Nom-Tom Alapchari
  2. B.Well-knit compositions in medium tempo
  3. C.Unique manner of presenting compositions
  4. D.Very detailed and expansive alapchari with stress on emotion content
52
Who was the guru of the eminent musician M.L. Vasantha Kumari?
  1. A.Subbalakshmi  M.S
  2. B.Ariyakudi Ramanuja Iyengar
  3. C.Chemlai Vidyanatha Bhagavathar
  4. D.G.N. Balasubramaniam
53
Who was the founder fo Azrada gharana of  table playing?
  1. A.Ustad Kallu khan and Bhiru Khan
  2. B.Ustad Kale Khan
  3. C.Ustad Natthu Khan
  4. D.Ustad Habibuddin Khan
54
Who was Pt. V.D. Paluskar’s only son?
  1. A.Diwakar Paluskar
  2. B.Dattatraya Paluskar
  3. C.Narainrao Paluskar
  4. D.Shankarrao Paluskar
55
Faiyaz Khan the noted vocalist and recipient of almost every prestigious award in classical music, died on 5.11.1950. He was the exponent of which gharana?
  1. A.Kirana gharana
  2. B.Gwalior gharana
  3. C.Agra gharana
  4. D.Jaipur gharana
56
Who among the following Hindustani vocalists belong to the jaipur gharana?
  1. A.Pt. Vishnu Pant Chattre
  2. B.Pt. Nivruttibua Sarnaik
  3. C.Pt. Jitendra Abhisheki
  4. D.Ustad Mehandi Hussain
57
Which one of the following swaras is called ‘Achal Swara’ ?
  1. A.Madhyama
  2. B.Rishab
  3. C.Gandhar
  4. D.Shadaj
58
Which one of the following swaras is called ‘KomalSwara’ also?
  1. A.Shadaj
  2. B.Pancham
  3. C.Madhyama
  4. D.Nishad
59
Swaras which are principal swaras in any raga are known as-
  1. A.KomalSwara
  2. B.TivraSwara
  3. C.Vadi - SamvadiSwara
  4. D.Anuwadi - VivadiSwara
60
What is Saptak ?
  1. A.Ascending and descending order of seven notes
  2. B.A group of seven thats
  3. C.A group of seven mudras
  4. D.A group of seven ragas
61
What is Swara?
  1. A.A style of singing
  2. B.A musical note
  3. C.Image in mind
  4. D.A rhythm of seven beats
62
What is Shruti?
  1. A.A group of swara
  2. B.A class of sacred
  3. C.A musical frequency
  4. D.First beat of rhythm
63
What is That?
  1. A.A step in Bharatnatyam dance
  2. B.A group of beats
  3. C.A group of seven musical notes
  4. D.A phrase related to tala
64
The term Murki is relate to:
  1. A.Pakhawajvadan
  2. B.Kathak dance
  3. C.Theatre
  4. D.Classical vocal music
65
The term ‘’meend’’ is related to-
  1. A.Kathakali dance
  2. B.Vocal classical music
  3. C.Tablavadan
  4. D.Pakhawajvadan
66
The term ‘Alap’ is associated with-
  1. A.Painting
  2. B.Folk music
  3. C.Classical vocal music
  4. D.Kathak dance
67
How many that’s are there in Hindustani Music?
  1. A.Seven
  2. B.Six
  3. C.Ten
  4. D.Twenty-two
68
Which one of the following Swaras is not used in raga Nayaki-Kanda?
  1. A.Re
  2. B.Dha
  3. C.Ga
  4. D.Ma
69
Notes which would destroy overall effect of the raga are known as-
  1. A.Tivraswara
  2. B.Anuwadiswara
  3. C.Komalswara
  4. D.Vivadiswara
70
Which two of the following Swaras does not belong to raga Deshkar?
  1. A.Ma-ni
  2. B.Re-ga
  3. C.Ga-dha
  4. D.Re-dha
71
Name the three ‘jatis’ to which a raga belong according to the number of notes used in ascending and descending order: 
  1. A.Aroha-Avaroha-Pakad
  2. B.Audav-Shadav-Sampurna
  3. C.Alap-Ragalap-Rupkalap
  4. D.Avirbhav-Tirobhava-SanchariBhav
72
The catch phrase by which a raga can immediately be identified is known as-
  1. A.Aroha
  2. B.Taan
  3. C.Pakad
  4. D.That
73
The ascending and descending motions of raga are called-
  1. A.Aroha-Avaroha
  2. B.Poorvang-Uttarang
  3. C.Vadi-Samvadi
  4. D.Alpatva-Bahutva
74
How many kinds of Swaras are there?
  1. A.Three
  2. B.Seven
  3. C.Five
  4. D.Two
75
The phrase ‘Boltan’ refers to-
  1. A.Tablavadan
  2. B.Sitar vadan
  3. C.Sarodvadan
  4. D.Classical vocal music
76
The correct sequence in descending order of Saptak is:
  1. A.Ni, Dha, Ga, Ma, Pa, Re, Sa
  2. B.Sa, Ni, Dha, Pa, Ma, Ga, Re, Sa
  3. C.Sa, Dha, Ni, Ma, Pa, Re, Ga, Sa
  4. D.Sa, Ni, Dha, Ma, Pa, Ga, Re, Sa
77
The term ‘Shruti’ is closely related to:
  1. A.Painting
  2. B.Theatre
  3. C.Swara
  4. D.Tala
78
How many kinds of saptaks are there?
  1. A.Two
  2. B.Three
  3. C.Four
  4. D.Five
79
Which among the following notation systems is the most popular in North India?
  1. A.KrishnaraoPandit Notation System
  2. B.V.D. Paluskar Notation System
  3. C.Bhatkhande Notation System
  4. D.Abdul Karim Khan Notation System
80
How many music systems are in existence in India?
  1. A.Two
  2. B.Three
  3. C.One
  4. D.Five
81
How many shrutis are in one saptak?
  1. A.Seven
  2. B.Twelve
  3. C.Twenty
  4. D.Twenty-two
82
Ascending order of swaras is called Aroha then for descending order of swaras what is called?
  1. A.Tan
  2. B.Avaroha
  3. C.Pakad
  4. D.That
83
Which is the similar word is used for ‘Riyaz’?
  1. A.Nyasa
  2. B.Parishram
  3. C.Abhyas
  4. D.Discipline
84
Vadiswara of raga Malkouns is:
  1. A.Ga
  2. B.Re
  3. C.Ma
  4. D.Pa
85
Samvadiswara of raga Bhimpalasi:
  1. A.Sa
  2. B.Ni
  3. C.Ma
  4. D.Pa
86
How many type of ‘Nada’ is there?
  1. A.Three
  2. B.Four
  3. C.Two
  4. D.Five
87
Each raga should contain at least:
  1. A.Three swara
     
  2. B.Seven swara


     
  3. C.Four swara
     
  4. D.Five swara
88
Teenis associated with :
 
  1. A.Folk music
     
  2. B.Kathak dance
     
  3. C.Vocal music
     
  4. D.Theatre
89
Which one of the following Musicians created and  popularized raga ‘Haripriya’?
 
  1. A.V.G . Jog
     
  2. B.Hari Prasad Chaurasi
     
  3. C.Amjad Ali Khan
     
  4. D.Shiv Kumar Sharma
90
The vadi swara of raga Bageshwari is :
 
  1. A.Madhuyam
     
  2. B.Komal Nishad
     
  3. C.Amjad Ali Khan
     
  4. D.Shiv Kumar Sharma
91
The vadi swara of raga Bageshwari is 
  1. A.Madhuyam
  2. B.Komal Nishad
  3. C.Amjad Ali Khan 
  4. D.Shiv Kumar Sharma
92
Which one of the following pairs is not correctly matched ?
 
  1. A.Poorvangvadi –Uttarangvadi
     
  2. B.Alpatva –Bahutva
     
  3. C.Tirobhav- Avirbhv
     
  4. D.Alap  -Laykari
93
Which of the following is the audav – shadav jati raga ?
 
  1. A.Bhoopali
     
  2. B.Gorakh kalyan
     
  3. C.Bilawal
     
  4. D.Yaman Lalyan
94
Which of the following swaras is known as “ Main swara “ in a raga ?


 
  1. A.Aunsh
     
  2. B.Vivadi
     
  3. C.Anuvadi
     
  4. D.Tivra swara
     
95
Which among the following ragas in nearest to the raga Bahar ?

 
  1. A.Hindol
     
  2. B.Desh
     
  3. C.Chayanat
     
  4. D.Miya –Malhar
96
In which among the following ragas Both the shu8ddha and komal Ga –Ni swara are used ?
 
  1. A.Jai Jaiwanti
     
  2. B.Desh
     
  3. C.Chayanat
     
  4. D.Miya –Malhar 
97
Ahir –Bhairav is :
 
  1. A.The name of thaat
     
  2. B.The name of a tala
     
  3. C.The name of saptak
     
  4. D.The name of raga
98
Which of the following swards is called as destructive swear in a raga ?
 
  1. A.Samvadi
     
  2. B.Vivadi
     
  3. C.Tivra
     
  4. D.Pancham
99
Raga Ramkali is originated from-
 
  1. A.That Bilawal
     
  2. B.That Asawari
     
  3. C.That Khamaj
     
  4. D.That Bhairav
100
Raga Yaman is derived from:
 
  1. A.That Poorvi
     
  2. B.That Bilawal
     
  3. C.That Marwa
     
  4. D.That Kalyan