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CG SET Sanskrit Syllabus 2026, Exam Pattern
CG SET Sanskrit Syllabus 2026, Exam Pattern, Exam Date 2026
Detail Information about Chhattisgarh SET Sanskrit has published notification 2026 for the recruitment of State Eligibility Test. Those Candidates who are Interested to the following Exam and completed all Eligibility Criteria can read the Notification & Apply Online. In this page we provide the Complete Syllabus of this Entrance Exam with Latest Update Exam Pattern and the Exam Date also.
CG SET Highlights 2026 :-
CG SET Highlights 2026 :-
| Exam Name | Chhattisgarh State Eligibility Test (CG SET) |
| Exam Types | State Eligibility Test |
| Application Mode | Online |
| Category | Syllabus and Exam Pattern |
| Exam Date 2026 | 04th October 2026 |
| Exam Level | State Level |
| Official website | www.cgvyapam.choice.gov.in |
CG SET Sanskrit Syllabus 2026
Paper 2 : Sanskrit Language and Literature :
Unit - I :
Vedic-Literature
(a) General Introduction of Vedic Literature:
1. Main theories regarding the Vedās : Maxmüller; A.Weber; Jacobi ; Balgangadhar Tilak; M.Winternitz ; Indian traditional views.
2. Saṁhitā Literature
3. Dialogue Hymns: Pururavā-Urvaśī; Yama-yamī; Saramā-Paṇi ; Viśvāmitra-Nadī
4. Brāhamaṇa-Literature
5. Āraṇyaka Literature
6. Vedāṅgas: Śikșā; Kalpa; Vyākaraṇa; Nirukta; Chandas; Jyotișa
Unit - II :
(b) Specific Study of Vedic Literature
1. Study of the following hymns:
Unit - I :
Vedic-Literature
(a) General Introduction of Vedic Literature:
1. Main theories regarding the Vedās : Maxmüller; A.Weber; Jacobi ; Balgangadhar Tilak; M.Winternitz ; Indian traditional views.
2. Saṁhitā Literature
3. Dialogue Hymns: Pururavā-Urvaśī; Yama-yamī; Saramā-Paṇi ; Viśvāmitra-Nadī
4. Brāhamaṇa-Literature
5. Āraṇyaka Literature
6. Vedāṅgas: Śikșā; Kalpa; Vyākaraṇa; Nirukta; Chandas; Jyotișa
Unit - II :
(b) Specific Study of Vedic Literature
1. Study of the following hymns:
a.) Ŗgveda : Agni (1.1); Varuṇa (1.25); Sūrya (1.125); Indra (2.12);
Uṣas (3.61); Parjanya (5.83); Kitava (10.34); Jñāna (10.71);
Puruṣa (10.90); Hiraṇyagarbha (10.121); Vāk (10.125); Nāsadīya
Uṣas (3.61); Parjanya (5.83); Kitava (10.34); Jñāna (10.71);
Puruṣa (10.90); Hiraṇyagarbha (10.121); Vāk (10.125); Nāsadīya
b.) Śuklayajurveda : Śivasaṁkalpa , Chapter-34 (1-6)
c.) Prajāpati-Chapter-23 (1-5)
d.) Atharvaveda : Rāṣṭrābhivardhanam (1.29); Kāla (10.53); Prithivī
c.) Prajāpati-Chapter-23 (1-5)
d.) Atharvaveda : Rāṣṭrābhivardhanam (1.29); Kāla (10.53); Prithivī
2. Brāhmaṇa Literature
Subject-matter; Vidhi and its types; Agnihotra; Agniṣṭoma,
Darśapūrṇamāsa ; Yajña; Pañcamahāyajña; Akhyāna (Śunahśepa , Vāṅmanas)
3. Upaniṣad Literature:
Subject-matter and main concepts with special reference to the following Upaniṣads ;
Īśa; Kaṭha; Kena; Bṛhadārṇyaka ; Taittirīya; Śvetāśvatara
4. Vedic Grammar; Nirukta and Vedic interpretation
5. Ṛkprātiśākhya : Definitions of Samānākṣara ; Sandhyakṣara; Aghoṣa; Soṣman; Svarabhakti ; Yama ; Rakta; Saṁyoga; Pragṛhya ; Riphita
6. Nirukta (Chapters-I & 2)
7. Four-fold division of Padas-Concept of Nāma; Concept of Ākhyāta ; Meaning of Upasargas; Categories of Nipātas.
8. Purposes of the study of Nirukta
9. Principles of Etymology
10. Etymology of the following words: Āchārya; Vīra; Hrada; Go; Samudra; Vṛtra; Āditya; Uṣas; Megha; Vāk; Udak; Nadī; Aśva; Agni; Jātavedas; Vaiśvānara; Nighaṇtu Nirukta (Chapter-7; Daivatakāṇḍa) Vedic Accent- Udātta, Anudātta and Svarita
Unit - III :
(c) Darśana:
1. General Introduction of major schools of Darśana with special reference to the following :
Pramāṇamīmānsā ; Tattvamīmānsā ; Ācāramīmānsā (Cārvāka , Jaina, Bauddha) Nyāya, Sāṁkhya, Yoga, Nyāya, Vaiśeṣika, mīmānsā
Unit - IV :
(d) Darśana Literature: Special Study:
1. Iśvarakṛṣna : Sāṁkhyakārikā - Satkāryavāda, Puruṣasvarūpa, Prakṛtisvarūpa, Sṛștikrama, Pratyaysarga, Kaivalya.
2. Sadānanda : Vedāntasāra - Anubandha-catuṣṭaya, Ajñāna, Adhyāropa-Apavāda, Lingaśarīrotpatti, Pañcīkaraṇa, Vivarta, Jīvanmukti 3.Annambhaṭṭa, Tarkasaṁgraha / Keśavamiśra; Tarkabhāṣā : Padārtha; Kāraṇa; Pramāṇa; (Pratyakṣa; Anumāna; Upamāna; Śabda), Prāmāṇyavāda, Prameya.
4.Laugākṣibhāskara ; Arthasaṁgraha.
5. Patañjali ; Yogasūtra - (Vyāsabhāṣya) : Cittabhūmi, Cittavṛttis ; Concept of Īśvara; Yogāṅgas; Samādhi ; Kaivalya
6. Bādarāyaṇa ; Brahmasūtra 1.1 (Śānkarabhāṣya)
7. Viśvanāthapañcānana ; Nyāyasidhāntamuktāvalī (Anumāna Khaṇḍa)
8. Sarvadarśana-Saṁgraha ; Jainism ; Buddhism
Unit - V: (e) Grammar and Linguistics: General Introduction of the following grammarians: Pāṇini , Kātyāyana , Patañjali , Bhartṛhari , Vāmanajayāditya , Bhaṭṭojidīkṣita , Nāgeśabhaṭṭa , Kaiyyaṭa , Jainendra , Śākaṭāyana , Hemacandrasūri , Sārasvatavyākaraṇakāra. Pāṇinīya Śikṣā. Linguistics: Definition of Language, Geneological and Morphological classification of Languages, Speech Mechanism and classification of sounds: Stops, Fricatives, Semi-Vowels and vowels (with special reference to Sanskrit sounds). Phonetic Laws (Grimm, Grassman, Verner). Directions of semantic change and reasons of change. Definition of Vākya and its types General introduction of Indo-European family of Languages Difference between Vedic Sanskrit and Classical Sanskrit Difference between Bhāșā and Vāk Difference between language and dialect
Unit - VI : (f) Specific Study of Grammar Definition : Saṁhitā, Saṁyoga Guṇa, Vṛddhi, Prātipadika, Nadī , Ghi, Upadhā, Apṛkta, Gati, Pada, Vibhāṣā , Savarṇa, Ṭi, Pragṛhya, Sarvanāmasthāna, Bha , Sarvanāma, Niṣthā . Sandhi - Ac sandhi, Hal sandhi, Visarga sandhi (according to laghusiddhāntakaumudī) Subanta – Ajanta - Rāma , Sarva (in all genders) , Viśvapā, Hari , Tri (in all genders) , Sakhi , Sudhī , Guru , Pitṛ , Gau , Ramā , Mati , Nadī , Dhenu , Mātṛ , Jñāna , Vāri , Madhu . Halanta - Lih , Viśvavāh , Catur (in all genders) , Idam, Kim, Tad (in all genders), Rājan , Maghavan , Pathin , Vidvas , Asmad , Yuṣmad . Samāsa - Avyayībhāva , Tatpuruṣa , Bahuvrīhi , Dvandva (according to laghusiddhāntakaumudī) Taddhita - Apatyārthaka and Matvarthīya (According to Siddāntakaumudī ), Tiṅanta - Bhū , Edh , Ad , Us, Hu , Div , Ṣuñ , Tud , Tan, Kṛ , Rudh , Krīñ, Cur . Prayayānta - Nijant, Sannanta , Yańanta , Yańluganta , Nāmdhātu. Kṛdanta - Tavya / Tavyat , Anīyar , Yat , Ṇyat , Kyap , Śatṛ , Śānac , Ktvā , Kta , Ktavatu , Tumun , Ṇamul . Strīpratyaya - According to Laghusiddhāntakaumudī. Kāraka Prakarana - According to Siddāntakaumudī . Parasmaipada and Ātmanepada Vidhāna - According to Siddāntakaumudī . Mahābhāșya (Paspaśāhnika)- Definition of Śabda, Relation between Śabda and Artha, Purposes of the study of grammar, Definition of Vyākaraṇa, Result of the proper use of word , Method of grammar . Vākyapadīyam (Brahmakāṇḍa) - Nature of Sphoṭa, Nature of Śabda-Brahma, Powers of Śabda-Brahma, Relation between Sphoṭa and Dhvani , Relation between Śabda and Artha, Types of Dhvani, Levels of Language
Unit - VII : Sanskrit Literature, Poetics and Prosody (a) General Introduction of following Bhāsa, Aśvaghośa , kālidāsa, Śūdraka, Viśākhadatta, Bhāravi, Māgha, Harṣa, Bāṇabhaṭṭa, Daṇḍin, Bhavabhūti, Bhaṭṭanārāyaṇa, Bhilhaṇa, Shrῑharṣa, Ambikādatta vyāsa, Panditā Kṣamārao, V. Raghavan, Shri Dhar Bhaskar Varnekar Schools of Sanskrit Poetics – Rasa, Alaṅkāra, Rīti, Dhwani, Vakrokti, Aucitya, Western Poetics – Aristotle, Longinus, Croche
Unit - VIII: (b) Specific study of the following Poetry: Buddhacaritam (First Canto), Raghuvaṁśam (First Canto), Kirātārjunīyam (First Canto), Śiśupālavadham (First Canto), Naiṣadhīyacaritam (First Canto) Drama: Svapnavāsavadattām, Abhijñānaśākuntalam, Mṛcchakaṭikam, Uttararāmacaritam, Mudrārākṣasam, Uttararāmacaritam, Ratnāvalī Prose: Daśakumāracaritam ( viii Ucchvāsa), Harṣacaritam ( V Ucchvāsa), Kādambarī (Śukanāsopadeśa) Campū Kāvya - Nala Campū (I Ucchvāsa) Sāhityadarpaṇaḥ: Definition of Kāvya, Refutation of other definitions of Kāvya, Śabdaśakti - Saṅketagraha; Abhidhā; Lakṣanā; Vyanjanā, Kāvyabheda (Chapter Fourth), Śravyakāvya (prose poetry and mix) Kāvyaprakaśa – Kāvyalakṣhṇa, Kāvyaprayojana, Kāvyahetu, Kāvyabheda, Śabdaśakti, Abhihitānvayavāda, Anvitābhidhānvayavāda, concept of Rasa, discussion of Rasasūtra, Rasadoṣa, Kāvyaguṇa, Vyanjanāvriti (Fifth Chapter) Alaṁkāras – Vakrokti; Anuprāsa, Yamaka, Śleṣa, Upamā, Rūpaka, Utprekṣā, Samāsokti, Apahnuti, Nidarśanā, Arthāntaranyāsa, Dṛṣṭānta, Vibhāvanā, Viśeṣokti, Svabhāvokti, Virodhābhāsa, Saṅkara, Sansṛṣṭi Dhvanyāloka (I Udyota) Vakroktijīvitam (I Unmeṣa) Bharata – Nāṭyaśāstram (First and Sixth Chapter) Daśarūpakam (First and Third Prakāśa) Chanda – Āryā, Anuṣṭup, Indravajrā, Upendravajrā, Vasantatilakā, Upajāti, Vaṁśastha, Drutavilambita, Śālinī, Mālinī, Śikharṇī, Mandākrāntā, Hariṇī, Śārdūlavikrῑḍita, Sragdharā
Unit - IX: Purāṇetihāsa, Dharmaśāstra and Epigraphy (a) General introduction of the followings: Rāmāyaṇa – Subject matter, age, society in the Rāmāyaṇa, Rāmāyaṇa as a source of later Sanskrit works and literal value of the Rāmāyaṇa, legends in the Rāmāyaṇa Mahābhārata – Subject matter, age, society in the Mahābhārata, Mahābhārata as a source of later Sanskrit works and literal value of the Mahābhārata, legends in the Mahābhārata Purāṇa – Definition of Purāṇa, maha Purāṇa and Upa Purāṇas, Purāṇic cosmology and Purāṇic legends General introduction of main Smṛitis. General introduction Kauṭilīya Arthaśāstra Paleography – History of the decipherment of Brāhmī script, Theories of the origin of Brāhmī Script Inscriptions - General introduction
Unit - X: (b) Specific study of the following Kauṭilīya arthaśātra (First – Vinayadikarika) Manusmṛti (I, II and VII Adhyāyas) Yājñavalkyasmṛti (Vyavahārādhyaya only) Paleography and Inscriptions – Brahmi Script of Mauryan and Gupta periods Inscription of Ashoka – Major Rock Edicts, Major Pillar Edicts Post – Mauryan inscriptions – Sāranātha Buddhist Image Inscription of Kaniṣka’s regal – year, 3, Girnār Rock Inscription of Rudradāman, Hāthīgumphā inscription of Khāravela Gupta and Post-Gupta inscriptions – Allahabad Pillar Inscriptions of Samudragupta, Mandasor Pillar Inscription of Yasodharman, Banāskherā Copper Plate Inscription of Harṣa, Aihole Stone Inscription of Pulakeśīn II
2. Sadānanda : Vedāntasāra - Anubandha-catuṣṭaya, Ajñāna, Adhyāropa-Apavāda, Lingaśarīrotpatti, Pañcīkaraṇa, Vivarta, Jīvanmukti 3.Annambhaṭṭa, Tarkasaṁgraha / Keśavamiśra; Tarkabhāṣā : Padārtha; Kāraṇa; Pramāṇa; (Pratyakṣa; Anumāna; Upamāna; Śabda), Prāmāṇyavāda, Prameya.
4.Laugākṣibhāskara ; Arthasaṁgraha.
5. Patañjali ; Yogasūtra - (Vyāsabhāṣya) : Cittabhūmi, Cittavṛttis ; Concept of Īśvara; Yogāṅgas; Samādhi ; Kaivalya
6. Bādarāyaṇa ; Brahmasūtra 1.1 (Śānkarabhāṣya)
7. Viśvanāthapañcānana ; Nyāyasidhāntamuktāvalī (Anumāna Khaṇḍa)
8. Sarvadarśana-Saṁgraha ; Jainism ; Buddhism
Unit - V: (e) Grammar and Linguistics: General Introduction of the following grammarians: Pāṇini , Kātyāyana , Patañjali , Bhartṛhari , Vāmanajayāditya , Bhaṭṭojidīkṣita , Nāgeśabhaṭṭa , Kaiyyaṭa , Jainendra , Śākaṭāyana , Hemacandrasūri , Sārasvatavyākaraṇakāra. Pāṇinīya Śikṣā. Linguistics: Definition of Language, Geneological and Morphological classification of Languages, Speech Mechanism and classification of sounds: Stops, Fricatives, Semi-Vowels and vowels (with special reference to Sanskrit sounds). Phonetic Laws (Grimm, Grassman, Verner). Directions of semantic change and reasons of change. Definition of Vākya and its types General introduction of Indo-European family of Languages Difference between Vedic Sanskrit and Classical Sanskrit Difference between Bhāșā and Vāk Difference between language and dialect
Unit - VI : (f) Specific Study of Grammar Definition : Saṁhitā, Saṁyoga Guṇa, Vṛddhi, Prātipadika, Nadī , Ghi, Upadhā, Apṛkta, Gati, Pada, Vibhāṣā , Savarṇa, Ṭi, Pragṛhya, Sarvanāmasthāna, Bha , Sarvanāma, Niṣthā . Sandhi - Ac sandhi, Hal sandhi, Visarga sandhi (according to laghusiddhāntakaumudī) Subanta – Ajanta - Rāma , Sarva (in all genders) , Viśvapā, Hari , Tri (in all genders) , Sakhi , Sudhī , Guru , Pitṛ , Gau , Ramā , Mati , Nadī , Dhenu , Mātṛ , Jñāna , Vāri , Madhu . Halanta - Lih , Viśvavāh , Catur (in all genders) , Idam, Kim, Tad (in all genders), Rājan , Maghavan , Pathin , Vidvas , Asmad , Yuṣmad . Samāsa - Avyayībhāva , Tatpuruṣa , Bahuvrīhi , Dvandva (according to laghusiddhāntakaumudī) Taddhita - Apatyārthaka and Matvarthīya (According to Siddāntakaumudī ), Tiṅanta - Bhū , Edh , Ad , Us, Hu , Div , Ṣuñ , Tud , Tan, Kṛ , Rudh , Krīñ, Cur . Prayayānta - Nijant, Sannanta , Yańanta , Yańluganta , Nāmdhātu. Kṛdanta - Tavya / Tavyat , Anīyar , Yat , Ṇyat , Kyap , Śatṛ , Śānac , Ktvā , Kta , Ktavatu , Tumun , Ṇamul . Strīpratyaya - According to Laghusiddhāntakaumudī. Kāraka Prakarana - According to Siddāntakaumudī . Parasmaipada and Ātmanepada Vidhāna - According to Siddāntakaumudī . Mahābhāșya (Paspaśāhnika)- Definition of Śabda, Relation between Śabda and Artha, Purposes of the study of grammar, Definition of Vyākaraṇa, Result of the proper use of word , Method of grammar . Vākyapadīyam (Brahmakāṇḍa) - Nature of Sphoṭa, Nature of Śabda-Brahma, Powers of Śabda-Brahma, Relation between Sphoṭa and Dhvani , Relation between Śabda and Artha, Types of Dhvani, Levels of Language
Unit - VII : Sanskrit Literature, Poetics and Prosody (a) General Introduction of following Bhāsa, Aśvaghośa , kālidāsa, Śūdraka, Viśākhadatta, Bhāravi, Māgha, Harṣa, Bāṇabhaṭṭa, Daṇḍin, Bhavabhūti, Bhaṭṭanārāyaṇa, Bhilhaṇa, Shrῑharṣa, Ambikādatta vyāsa, Panditā Kṣamārao, V. Raghavan, Shri Dhar Bhaskar Varnekar Schools of Sanskrit Poetics – Rasa, Alaṅkāra, Rīti, Dhwani, Vakrokti, Aucitya, Western Poetics – Aristotle, Longinus, Croche
Unit - VIII: (b) Specific study of the following Poetry: Buddhacaritam (First Canto), Raghuvaṁśam (First Canto), Kirātārjunīyam (First Canto), Śiśupālavadham (First Canto), Naiṣadhīyacaritam (First Canto) Drama: Svapnavāsavadattām, Abhijñānaśākuntalam, Mṛcchakaṭikam, Uttararāmacaritam, Mudrārākṣasam, Uttararāmacaritam, Ratnāvalī Prose: Daśakumāracaritam ( viii Ucchvāsa), Harṣacaritam ( V Ucchvāsa), Kādambarī (Śukanāsopadeśa) Campū Kāvya - Nala Campū (I Ucchvāsa) Sāhityadarpaṇaḥ: Definition of Kāvya, Refutation of other definitions of Kāvya, Śabdaśakti - Saṅketagraha; Abhidhā; Lakṣanā; Vyanjanā, Kāvyabheda (Chapter Fourth), Śravyakāvya (prose poetry and mix) Kāvyaprakaśa – Kāvyalakṣhṇa, Kāvyaprayojana, Kāvyahetu, Kāvyabheda, Śabdaśakti, Abhihitānvayavāda, Anvitābhidhānvayavāda, concept of Rasa, discussion of Rasasūtra, Rasadoṣa, Kāvyaguṇa, Vyanjanāvriti (Fifth Chapter) Alaṁkāras – Vakrokti; Anuprāsa, Yamaka, Śleṣa, Upamā, Rūpaka, Utprekṣā, Samāsokti, Apahnuti, Nidarśanā, Arthāntaranyāsa, Dṛṣṭānta, Vibhāvanā, Viśeṣokti, Svabhāvokti, Virodhābhāsa, Saṅkara, Sansṛṣṭi Dhvanyāloka (I Udyota) Vakroktijīvitam (I Unmeṣa) Bharata – Nāṭyaśāstram (First and Sixth Chapter) Daśarūpakam (First and Third Prakāśa) Chanda – Āryā, Anuṣṭup, Indravajrā, Upendravajrā, Vasantatilakā, Upajāti, Vaṁśastha, Drutavilambita, Śālinī, Mālinī, Śikharṇī, Mandākrāntā, Hariṇī, Śārdūlavikrῑḍita, Sragdharā
Unit - IX: Purāṇetihāsa, Dharmaśāstra and Epigraphy (a) General introduction of the followings: Rāmāyaṇa – Subject matter, age, society in the Rāmāyaṇa, Rāmāyaṇa as a source of later Sanskrit works and literal value of the Rāmāyaṇa, legends in the Rāmāyaṇa Mahābhārata – Subject matter, age, society in the Mahābhārata, Mahābhārata as a source of later Sanskrit works and literal value of the Mahābhārata, legends in the Mahābhārata Purāṇa – Definition of Purāṇa, maha Purāṇa and Upa Purāṇas, Purāṇic cosmology and Purāṇic legends General introduction of main Smṛitis. General introduction Kauṭilīya Arthaśāstra Paleography – History of the decipherment of Brāhmī script, Theories of the origin of Brāhmī Script Inscriptions - General introduction
Unit - X: (b) Specific study of the following Kauṭilīya arthaśātra (First – Vinayadikarika) Manusmṛti (I, II and VII Adhyāyas) Yājñavalkyasmṛti (Vyavahārādhyaya only) Paleography and Inscriptions – Brahmi Script of Mauryan and Gupta periods Inscription of Ashoka – Major Rock Edicts, Major Pillar Edicts Post – Mauryan inscriptions – Sāranātha Buddhist Image Inscription of Kaniṣka’s regal – year, 3, Girnār Rock Inscription of Rudradāman, Hāthīgumphā inscription of Khāravela Gupta and Post-Gupta inscriptions – Allahabad Pillar Inscriptions of Samudragupta, Mandasor Pillar Inscription of Yasodharman, Banāskherā Copper Plate Inscription of Harṣa, Aihole Stone Inscription of Pulakeśīn II
CG SET Sanskrit Exam Pattern 2026
Duratuion : 120 Minutes| Paper | Subject | No. of Question | Marks |
| Paper 2 | Sanskrit | 100 | 200 |
| Total | 100 | 200 |
CG SET Exam Date 2026 : 04th October 2026
Starting Date of Application Form : 23rd July 2026
Last Date of Application Form : 17th August 2026
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Cg Set Sanskrit 2026 Free Mock Test Frequently Asked Questions (FAQ's)
You can find and practice free mock tests for the CG SET Sanskrit exam on the Toppersexam.com portal.
Mock tests are very powerful tool for exam preparation. They help students develop confidence, manage time effectively and improves accuracy to prepare better for CG SET Sanskrit.
You can find a free online mock test for the CG SET Sanskrit on toppersexam.com. By taking frequent online mock tests students can monitor there progress and create a study plan according to the needs.
You can take mock test online for CG SET Sanskrit to know the CBT (computer based test) format of the main exam. You will get latest exam pattern, updated syllabus and type of questions asked in the actual exam.
Mock tests are practice exams to prepare the students for the final one. Taking mock test regularly helps students to improve time management skills and boost confidence.
Students can find a free mock test for CG SET Sanskrit only at toppersexam. Get free online mock test to experience the actual exam format is important to reduce anxiety and improves your confidence.
Advantages of online mock tests are immediate results, accessibility and time management. Sample papers and mock tests are remarkable tools to track students performance and change your study plan according to your weakness.
Free online mock test can improve your score by making you exam ready before the final exam. It is a excellent way to know the exam pattern and identify your weakness for the CG SET Sanskrit.
Toppersexam free online mock test are designed by subject experts to provide the best preparation for CG SET Sanskrit. The questions asked are exactly like the ones which are asked in the actual exam.
Students should practice more and more online mock test for CG SET Sanskrit to evaluate their performance, detect weaknesses, and improve time management without any cost.
Current affairs and general knowledge mock test are important ways to increase knowledge to stay updated about the recent news and events. Regular practicing with current affairs mock test helps students to prepare better for general awareness section for the final exam.
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